tosca review

The recent production of Puccini's opera "Tosca" at the Royal Opera House has received generally positive reviews. The production is marked by Oliver Mears's direction, featuring contemporary and gritty staging that includes a church set with rubble and a stark representation of Scarpia’s office and the execution chamber. The setting evokes the harshness of political corruption and violence, with lighting and costumes reflecting these themes. The music direction by Jakub Hrusa is praised for its dramatic force. Anna Netrebko's performance as the title character Tosca stands out with charismatic and lush singing, especially her aria "Vissi d’arte," which combines wistfulness and defiance. Her costume design also contrasts vividly with the grim tone of the production. Freddie de Tommaso as Cavaradossi offers strong voice and technique, and Gerald Finley’s Scarpia is characterized more as a repulsive middle manager than a traditionally suave villain, highlighting the sadism of the character. The staging and performances have been noted for their intensity and emotional impact. The production has stirred some controversy due to Anna Netrebko's return to the stage amid political protests reflecting wider geopolitical tensions, but the opera itself maintains strong theatrical and musical qualities, making it a compelling season opener. Additionally, a review of a recent album recording of "Tosca" conducted by Daniel Harding with Eleonora Buratto as Tosca notes vivid character portrayals and brilliant vocal performances, though with a slightly symphonic focus that sometimes takes attention from the drama. In summary, both live production reviews and album critiques highlight powerful performances, strong direction, and a dramatic, contemporary approach to this classic opera.